as well as an upbringing in  
 
and the music and culture of  
 
her birthplace,  the former Yugoslavia,  
 
created a bicultural artist." 
 
 
Last year I had the privilege   
to connect  with another  
 
 
independent Canadian artist with Balkan roots,  
 
 
REENIE  is currently in British Columbia,  
 
where she finished  her Bachelor of Music  
 
at  the University of Victoria 
 
and completed her first solo album  
 
 
On March 29th, REENIE  will release her debut album   
 
 
and visual art exhibition  
 
that will feature a performance by Chris Ho    
 
the  Canadian Federation of Artists  
 
Shortly thereafter, REENIE  will  relocate to Toronto  
 
where she will reside for a number of years. 
 
I recently had the opportunity to ask  REENIE    
 
 
a few questions regarding her upcoming album  
 
 
and future plans in the city. 
 
 
 RT - Could you please tell me more about your background and upbringing? 
IP  - I was born in Sarajevo, BIH. My family left in 1992  
when the civil war was just beginning.  
I was only 5, so I remember the people I was surrounded by  
more clearly than the physical surroundings...  
I was raised in Toronto, and later Kitchener-Waterloo,  
where I started a punk/rock influenced band in high school.  
We signed up with a company called Supernova  
that made us sell lots of tickets for them in order to play.  
Looking back, it was kind of a pay-to-play situation,  
but it was really exciting cause we got to play in these really awesome  
Toronto venues (like the Opera House and The Docks)  
and we met other great bands… it was an inspiring time.  
Luckily enough, I was able to see my extended family  
and Serbian family friends quite often, as they all lived in Toronto,  
so even though I had grown up very much Canadian,  
I felt that my roots were still present, and still feel bi-cultural. 
RT - What brought you to Victoria, B.C.?   
 
What were some of your experiences there? 
IP  - University. I went into a classical music program on percussion  
and soon took an interest in composing modern “classical” music.  
It started out super fun, but halfway through I felt pressure  
to make everything complicated and lost touch with the soul of music.  
At the beginning, my extra-curricular music mellowed out,  
I began listening to more blues, jazz, and folk,  
and started a funk/pop band called The Vista.  
We gigged around town and in Vancouver,  
played a bunch of festivals including Victoria’s Jazz Fest.  
The band fell apart after a couple of years, and with all the academic pressure,  
I was less inspired to write music outside of school.  
I did get some wonderful opportunities to have my work read  
by professional ensembles, such as the Victoria Symphony…  
it was really cool to hear my piece come to life. 
RT - I'd like to know about the making of  
THE REAL WORLD.  
How long was this project in the works  
and what was it like recruiting  
the collaborating musicians involved? 
IP  -  The Real World happened just as I was finishing university (laughs) .  
It was just after I had gone through a long period of writer’s block,  
I was coming to terms with where I really wanted to be  and   
thinking a lot about real world experiences versus institutionalized education,  
and all these songs came pouring out.  
I was just going to record the first two in August 2011,  
just to have a demo of where I was at, and then all these other songs happened.  
I wasn’t thinking of “the real world” concept with the album at the time,  
but after realized how autobiographical  
and how in touch with human emotion and experience all the songs were,  
I decided on that title.  
The collaborating musicians were all friends,  
or friends of friends I had met along the way.  
Amazing performers, improvisers, composers. 
RT - Was it difficult as n independent artist to make this album on your own?  
What would you say were the most crucial components to see its release  
and what tools were you working with  
that allowed you to come this far, independently?  
IP  -  Yes and no.  
It didn’t really feel that I was on my own in this project,  
since there were so many other musicians involved;  
some of the best parts of the album happened by accident in rehearsals.  
I’ve been in so many bands where it felt more like jamming than rehearsing;  
we never really explored the meaning behind the songs  
and never tried to execute it through the arrangements.  
I feel that this album is the first where I’ve been in control  
and could focus more on the soul of each song.  
The most difficult part was definitely the financial side of things.  
I got some help from family and friends  
through the IndieGoGo fundraising campaign.  
Other than that it’s been coming from my pockets  
and borrowing from lovely people.   
VIDEO  
RT - You'll be relocating back to Toronto immediately after the release of the album;  
what can we expect from REENIE  this year?   
IP  -  Yes, I’m very excited for the move.  
Looking forward to a change of pace and LOTS of performing.  
A couple of music videos are in the making,  
and  my  Toronto  debut will be on  
taken from the upcoming release 
 
 
WATCH OUT FOR MORE  REENIE  NEWS!!!